Shirley Woodson, recently named Kresge Eminent Artist for 2021, is the subject of a retrospective exhibit honoring her work and life at Detroit Artist Market. The exhibit will be on display until October 23. Woodson is an accomplished artist, a veteran educator, an avid collector; she has also been a mentor to countless young Detroit artists throughout her 60-year career. A monograph produced by the Kresge Foundation, “A Palette for the People.” is now available at no charge in a print edition and for download. Woodson is also the recipient of a no-strings-attached $50,000 prize. To read my full review, go here
It seems like just yesterday I was referring to Michael Luchs in the present tense. Luchs, a prominent artist from the Cass Corridor movement in Detroit in the 1960’s and 70’s, and still active creatively in Detroit and beyond, had recently shown his new work at Simone DeSousa Gallery and Museum of Contemporary Art. And then he was gone. For the full text of my appreciation in New Art Examiner here
The Alchemist’s Dream, a three-person exhibit of work by metalsmith Tom Muir, ceramicist Tom Marino …and me, K.A. Letts, will open tomorrow night at 20 North Gallery in Toledo. The exhibit will be on view until December 24.
I’m delighted to be showing my work alongside these two distinguished and very talented artists. For more information about our work, gallery location and hours, go here
My photographer friend, Chuck Mintz will be exhibiting his photographs of the Lustron Houses–and the people who live in them–at the Crooked Tree Art Center in Traverse City until November 13. The Lustron houses were pre-fabricated, enameled steel houses developed in the post-World War II era in the U.S. in response to the shortage of homes for returning G.I.s. There are still some around. Chuck has focused on the current inhabitants and the changes they have made over the years.
Chuck will be making an online presentation October 22 between 10 and 11 a.m. EDT. For more information go here.
And bonus! Crooked Tree Art Center is selling copies of his book, Lustron Stories. Might be time to make a trip Up North.
Or maybe it’s a five-fer… anyhow, until October 1, visitors to River House Arts in Toledo’s Secor Arts Building can see work by three young painters from Cleveland in the ground floor space, while on the building’s second floor a collection of intriguing objects by a young glass artist from Bowling Green State University lurk. As if that weren’t enough, some small nocturnal landscapes by yet another accomplished BGSU graduate occupy the gallery on floor 6. Any one of these shows is worth a trip to Toledo.
Portraiture is having a moment these days, especially among young Black artists who are busily inserting themselves into the contemporary art conversation through figurative painting. This small group show, Waking Dream, provides two current students and one recent B.F.A. from the Cleveland Institute of Art with space to examine the contradictions inherent in our societal ideas of beauty, race, gender and femininity.
Eruwesi Archer’s paintings aim to disorient and provoke, and they do. Verging on caricature, Archer’s acid toned, oversize subjects confront with us with questions and propositions and observations about the world as they find it.
Samantha Schneider (B.F.A. 2021) paints larger-than-life pictures of young women in exaggerated cinematic colors reminiscent of sci-fi movie stills, and Crystal Miller embellishes her neon-colored beauties with craft materials like yarn, rhinestones, beads and foam, evocations of not only of how a young Black woman looks, but how she feels.
British artist Theo Brooks (BGSU M.F.A. 2021) has created a collection of sculptural glass artworks that present an exotic past–or future– through ritual objects from the artist’s imagination that reference his Cypriot heritage.
On the sixth floor of the building, Amber Koprin (BGSU M.F.A. 2020) delivers some low key, voyeuristic thrills with her tiny, exquisite nocturnal views of deserted suburban scenes.
For more information about the artists and gallery hours, go here.
Well, here we are in the “summer of uncertain vibes.” It’s not the summer we were hoping for, with masks discarded and indoor dining routine. The pandemic has decided it isn’t quite finished with us yet, but there’s still art out there to see in Detroit.
The folks at David Klein Gallery are taking a glass-half-full attitude to our current predicament, with a colorful and energetic exhibit of work by seven resolutely upbeat artists. Best Times might relieve your Covid anxiety, at least temporarily. The show is on view until August 28, and you can read my full review here.
Is it just me , or are there more shows to see this month than usual? This is AUGUST people! Aren’t we supposed to be on vacation?? It must be pent-up demand from the pandemic.
There a couple of interesting shows in Toledo right now in case you, also, have a pent-up desire to get back out there:
Jessica Tenbusch has a solo show at River House Arts through August 22nd. Tenbusch has always been a superb craftsman, and she has lately turned her hand (literally) to finely detailed drawings. The fifteen artworks in the show are extravagant technical feats of draftsmanship, colored pencil and acrylic on paper. The nine medium to small-size pictures of domestic flowers and birds, bisected by thin lines of obscure provenance, have a distinctly mid-century, retro feel due to color choice and the toned paper upon which they are executed. Nostalgia seems to be an animating force for these as evidenced by the titles: Suburban Springs and Floral I (My Father’s Flowers) to name just a couple. There is also a tasty suite of six 4″ x 4″ pencil drawings of anchovies, most of which were already sold when I visited the gallery. to see more go here.
At 20 North Gallery, an artist who is new to me, Jonathan Ralston, is showing a collection of paintings entitled Shadows and Enlightenment through September 25th. Light and loss characterize the notably uninhabited spaces in the artist’s vision, particularly the low, warm light of late afternoon and the textures of ruined architecture. The masonry features appear to be mostly European. None of that gritty American urban decay here; the mood is decidedly romantic. To read more go here.
The next issue of New Art Examiner has just gone to press. This time around, I wrote three reviews of Detroit artists. Justin Marshall and Rachel Pontious, both painters, are fairly young and their work, to me, showed signs of the trauma they have endured during the pandemic. Carole Harris, a more established artist, seems to have sailed through the past year, producing a body of work that shows that, at this point, she can really do no wrong. You can read my review of her solo show at Hill Gallery here.
You can read my review of Rachel Pontious’s solo show Mise en Abyme at Playground Detroit here.
You can read my review of Justin Marshall’s solo show The End at Public Pool here.
Installation at Cranbrook Museum of Art, Mixing Chamber in foreground
With Eyes Opened surveys the history of Cranbrook Academy since its official founding in 1932. With more than 250 works representing the various programs of study at the school, the exhibition is a huge, somewhat disorganized, survey that’s full of treasures. To read the official account you can go here. I wrote a review of the show for Detroit Art Review which you can read here.
I recently wrote a review of an exhibit entitled Paint Piles at River House Arts in Toledo, Ohio. You can read the full text describing Natalie Lanese’s solo show of colorful abstractions at newartxaminer.org