Category Archives: Reprinted from Detroit Art Review

“By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500-1800

Judith and Her Maidservant with the Head of Holofernes by Artemisia Gentileschi, 1523-1525, oil on canvas, photo DIA

During the winter of 2022, The Detroit Institute of the Arts organized a tightly focused but comprehensive survey of masterpieces by women artists of the Renaissance and Baroque periods. “By Her Hand: Artemisia Gentileschi and Women Artists in Italy, 1500-1800” spotlights compelling stories and transcendent artworks by the anomalous female Italian art stars who managed to make remarkable art—and conduct successful careers–in an age when few women had access to the knowledge and tools to make art at all. You can read my review of the exhibition–which closes on May 29– here.

Reflecting Pool at Wasserman Projects

wp-DeMarte
After the Deluge by Jason DeMarte, 2018, photo assemblage, pigmented ink print, 48″ x 72″

I wrote a review of this conceptually rigorous and visually appealing show for Detroit Art Review recently.  To read the full text, go here

wp-Hansel
Show Me the Way to Go Home by Matthew Hansel, 2019, oil on flashe on linen, 44” x 76”

Becoming a Sculpture: Kylie Lockwood

Lockwood_Becoming_a_sculpture_DAR-hi-res
Kylie Lockwood, Becoming a sculpture, archival inkjet prints, single edition, 2019 Image courtesy of Simone DeSousa Gallery

I recently wrote a review of  Detroit artist Kylie Lockwood’s rough but exquisite porcelain figures at Simone DeSousa Gallery.  The artist “aims to reconcile the experience of living in a female body with the history of sculpture.”  To read the full review, go here