Category Archives: Detroit artist

W.C. Bevan: Form Gathering/Jigsaw Assembly

From The Roof Singing by W.C. Bevan, 2021, acrylic on wood, 48″ x 72″

Most Detroiters are familiar with the murals of W.C. Bevan that dot the urban landscape. Less familiar, though, are his smaller scale ink drawings on paper and shaped wall pieces, now on view at River House Arts in Toledo.

Bevan’s large murals are often characterized by highly graphic imagery reminiscent of 30’s hand-drawn animations. Simple elements that suggest fragments of faces or cartoon gestures are repeated rhythmically over the surface of each composition, keeping our eyes in constant motion. As Ryan Standfest of Rotland Press says in Essay’d:

Bevan believes that every object possesses a quality he terms “vibration.” To a degree, this is a scientific fact; everything we see and hear arrives in the form of waves. But Bevan is likely referring not just to this sensory information but also to some other unmeasurable, auratic quality.

Form Gathering/Jigsaw Assembly consists of two distinct bodies of work. A series of several fairly large black, pink and white wooden cutout pieces was created by the artist during the summer of 2021, while Bevan was at work in Toledo on the Glass City River Wall murals. His usual referential imagery is subdued here in favor of more formal elements. Fluid ovals, waves and curves repeat and undulate, evoking for the artist, “sentiments of summers past: picking sun warmed fruits, dealing with midwestern clowns, walking Metropark trails, and existing 100 feet in the air [while working on the silo mural].”

The second (and to my mind, more successful) series of works are his intimate ink drawings, often on vintage commercial papers such as invoices, bills of lading and the like. The muted blacks and subdued pastel colors of these dimunitive pieces introduce an element of nostalgia. Their small scale allows Bevin to create images that are more nuanced and sensitive than his usual larger artworks. They are both quirky and rigorous, and suggest a dreamy carnival.

River House Arts is located at 425 Jefferson in Toledo, Ohio. Hours are by appointment. Form Gathering/Jigsaw Assembly will be on view until January 29, 2022.

Pleased to Meet You by W.C. Bevin, 2021, mixed ink media on paper, 12″ x 8″

Allie McGhee at Rotunda Gallery in Ann Arbor

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Cloud Nine (2009) by Allie McGhee

I just wrote a review of Detroit artist Allie McGhee’s exhibit Cosmic Images 2000  for AADL Pulp. His work will be on view in Ann Arbor at the Rotunda Gallery, Building 18 of U of M’s North Campus Research Center through August 31.  You can check it out here.

D3PR3$$10N N4P Review in New Art Examiner

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NO THNX by Shaina Kasztelan

I recently wrote my first review as Detroit correspondent for Chicago’s  New Art Examiner.   The May/June issue, which has just been published, focuses on exhibits of work by women artists, including Looking Forward, Looking Back by Howardena Pindell at the Museum of Contemporary Art Chicago and Nina Chanel Abney’s Royal Flush at the Chicago Cultural Center.  Rebecca Memoli, who reviews Royal Flush, concentrates her comments on Abney’s latest large, graphic works, which struck me as being very Stuart-Davis-like.  My preference is for her earlier, more expressionistic paintings, but Memoli’s essay is a good introduction to Abney’s work. Pindell’s exhibit, reviewed byAniko Berman, is on view until May 20, and it’s well worth a visit.

I want to thank NAE Managing Editor Tom Mullaney and Editor in Chief Michel Segard for giving me this opportunity to get the word out on exciting contemporary art being shown in Detroit and environs. You can read my review of Shaina Kasztelan and Heidi Barlow’s D3PR3$$10N N4P at Hatch Hamtramck here.

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Installation Detail, Heidi Barlow