Tag Archives: Shaina Kasztelan

D3PR3$$10N N4P Review in New Art Examiner

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NO THNX by Shaina Kasztelan

I recently wrote my first review as Detroit correspondent for Chicago’s  New Art Examiner.   The May/June issue, which has just been published, focuses on exhibits of work by women artists, including Looking Forward, Looking Back by Howardena Pindell at the Museum of Contemporary Art Chicago and Nina Chanel Abney’s Royal Flush at the Chicago Cultural Center.  Rebecca Memoli, who reviews Royal Flush, concentrates her comments on Abney’s latest large, graphic works, which struck me as being very Stuart-Davis-like.  My preference is for her earlier, more expressionistic paintings, but Memoli’s essay is a good introduction to Abney’s work. Pindell’s exhibit, reviewed byAniko Berman, is on view until May 20, and it’s well worth a visit.

I want to thank NAE Managing Editor Tom Mullaney and Editor in Chief Michel Segard for giving me this opportunity to get the word out on exciting contemporary art being shown in Detroit and environs. You can read my review of Shaina Kasztelan and Heidi Barlow’s D3PR3$$10N N4P at Hatch Hamtramck here.

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Installation Detail, Heidi Barlow

 

 

 

 

 

 

 

 

 

 

 

 

 

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Over the Rainbow with Shaina Kasztelan

Somewhere over the Rainbow is Another Rainbow at Hatch Hamtramck is Shaina Kasztelan’s poison pen love letter to kitsch and consumerism.    This Detroit artist and recent CCS grad  seems to simultaneously love and hate the symbols and materials that she uses to create her wildly entertaining  installations, paintings and sculptures.

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Many artists in Detroit  are enthusiastic collagists of  gritty urban substance,  their  artworks depending on the inherent material  integrity of the parts to lend credibility to the whole. In contrast, Kasztelan employs the same assemblage method but uses materials that are the antithesis of authenticity.  They are, in fact, intentionally notable for their fakeness. The color is super-sweet, the forms mass market.  She  combines polyester fur, hobby shop jewels, plastic inflatables  and synthetic hair in obsessive aggregations, reaching new heights of  over-saturated,  over-the-top  visual hysteria.

I was surprised to learn that this is Kasztelan’s first  solo show.  The work seems confident, the installation expert.   The friendly yet knowing mood of the exhibit reminds me most of John Waters’s movies with their gleeful embrace of low-brow mass culture and transgressive imagery.Kaztelan Devil

Kasztelan seems especially  at ease in three dimensions. The most assured and  ambitious work in the show, entitled The Alien with the Drake Tattoo/Dedicated to the Butterfly,  is a kind of altar (complete with Juggalo nativity) that seems to burst out of a black cloud (of depression?)  She seems less at ease in the conventional rectangular format of her paintings, which felt a bit awkward to me. But she has very cleverly circumvented this unease in The Devil’s Vibrating Smile by applying the  imagery to clear vinyl. My favorite piece was a fake fur potted plant infested with tiny toy babies and topped by a pink plastic bouffant, entitled Baby Cactus is Happy. This show made me happy too.Kasztelan revised 1

Somewhere over the Rainbow is a Double Rainbow is at Hatch Hamtramck until May 28.  For more information for hours and events go here.