All posts by K.A. Letts

K.A. Letts is a painter living and working in the metro Detroit area.

A Three-fer at River House Arts

Diamond Lips, by Crystal Miller, 2021, acrylic on canvas, gems, glitter, 20″ x 30″ photo courtesy of River House Arts

Or maybe it’s a five-fer… anyhow, until October 1, visitors to River House Arts in Toledo’s Secor Arts Building can see work by three young painters from Cleveland in the ground floor space, while on the building’s second floor a collection of intriguing objects by a young glass artist from Bowling Green State University lurk. As if that weren’t enough, some small nocturnal landscapes by yet another accomplished BGSU graduate occupy the gallery on floor 6. Any one of these shows is worth a trip to Toledo.

Waking Dream

Portraiture is having a moment these days, especially among young Black artists who are busily inserting themselves into the contemporary art conversation through figurative painting. This small group show, Waking Dream, provides two current students and one recent B.F.A. from the Cleveland Institute of Art with space to examine the contradictions inherent in our societal ideas of beauty, race, gender and femininity.

Eruwesi Archer’s paintings aim to disorient and provoke, and they do. Verging on caricature, Archer’s acid toned, oversize subjects confront with us with questions and propositions and observations about the world as they find it.

Portrait of the Disoriented, by Ewuresi Archer, 2021, acrylic on canvas, 30″ x 20″ photo courtesy of River House Arts

Samantha Schneider (B.F.A. 2021) paints larger-than-life pictures of young women in exaggerated cinematic colors reminiscent of sci-fi movie stills, and Crystal Miller embellishes her neon-colored beauties with craft materials like yarn, rhinestones, beads and foam, evocations of not only of how a young Black woman looks, but how she feels.

Firefly, by Samantha Schneider, 2021, oil on canvas, 36″ x 60″ photo courtesy of River House Arts

Ritual Relations

British artist Theo Brooks (BGSU M.F.A. 2021) has created a collection of sculptural glass artworks that present an exotic past–or future– through ritual objects from the artist’s imagination that reference his Cypriot heritage.

Ritual Relations, by Theo Brooks, installation in second floor gallery, photo by K.A. Letts

Lawn

On the sixth floor of the building, Amber Koprin (BGSU M.F.A. 2020) delivers some low key, voyeuristic thrills with her tiny, exquisite nocturnal views of deserted suburban scenes.

A Sweeping Shadow, by Amber Koprin, 2021, gouache on paper, 4″ x 4″, photo by K.A. Letts

For more information about the artists and gallery hours, go here.

Best Times at David Klein Gallery, Detroit

Well, here we are in the “summer of uncertain vibes.” It’s not the summer we were hoping for, with masks discarded and indoor dining routine. The pandemic has decided it isn’t quite finished with us yet, but there’s still art out there to see in Detroit.

The folks at David Klein Gallery are taking a glass-half-full attitude to our current predicament, with a colorful and energetic exhibit of work by seven resolutely upbeat artists. Best Times might relieve your Covid anxiety, at least temporarily. The show is on view until August 28, and you can read my full review here.

Toledo Shows this month

Is it just me , or are there more shows to see this month than usual? This is AUGUST people! Aren’t we supposed to be on vacation?? It must be pent-up demand from the pandemic.

There a couple of interesting shows in Toledo right now in case you, also, have a pent-up desire to get back out there:

Not Enough by Jessica Tenbusch, 2021, colored pencil and acrylic paint on toned paper, 24 x 18 inches.

Jessica Tenbusch has a solo show at River House Arts through August 22nd. Tenbusch has always been a superb craftsman, and she has lately turned her hand (literally) to finely detailed drawings. The fifteen artworks in the show are extravagant technical feats of draftsmanship, colored pencil and acrylic on paper. The nine medium to small-size pictures of domestic flowers and birds, bisected by thin lines of obscure provenance, have a distinctly mid-century, retro feel due to color choice and the toned paper upon which they are executed. Nostalgia seems to be an animating force for these as evidenced by the titles: Suburban Springs and Floral I (My Father’s Flowers) to name just a couple. There is also a tasty suite of six 4″ x 4″ pencil drawings of anchovies, most of which were already sold when I visited the gallery. to see more go here.

Barcelona by Jonathan Ralston, 2013, oil on canvas, 16″ x 20″

At 20 North Gallery, an artist who is new to me, Jonathan Ralston, is showing a collection of paintings entitled Shadows and Enlightenment through September 25th. Light and loss characterize the notably uninhabited spaces in the artist’s vision, particularly the low, warm light of late afternoon and the textures of ruined architecture. The masonry features appear to be mostly European. None of that gritty American urban decay here; the mood is decidedly romantic. To read more go here.

Reviews in this Quarter’s New Art Examiner: Justin Marshall, Rachel Pontious, Carole Harris

Flowers for Breonna by Carole Harris, 2020, mulberry paper, threads, fabrics, 19″ x 21.5 photo courtesy Hill Gallery

The next issue of New Art Examiner has just gone to press. This time around, I wrote three reviews of Detroit artists. Justin Marshall and Rachel Pontious, both painters, are fairly young and their work, to me, showed signs of the trauma they have endured during the pandemic. Carole Harris, a more established artist, seems to have sailed through the past year, producing a body of work that shows that, at this point, she can really do no wrong. You can read my review of her solo show at Hill Gallery here.

You can read my review of Rachel Pontious’s solo show Mise en Abyme at Playground Detroit here.

You can read my review of Justin Marshall’s solo show The End at Public Pool here.

With Eyes Opened: Cranbrook Academy Since 1932 at cranbrook Museum of Art

Installation at Cranbrook Museum of Art, Mixing Chamber in foreground

With Eyes Opened surveys the history of Cranbrook Academy since its official founding in 1932. With more than 250 works representing the various programs of study at the school, the exhibition is a huge, somewhat disorganized, survey that’s full of treasures. To read the official account you can go here. I wrote a review of the show for Detroit Art Review which you can read here.

Catching up

Once again, I’ve fallen behind in my postings on Rustbeltarts.com! I’ve been busy though, writing mostly for the Detroit Art Review and New Art Examiner. Here are some of the things I’ve been writing about:

This is an installation shot of Shapeshifters, in the main gallery at Cranbrook Museum of Art, with Frank Stella’s Takt-i-Sulayman Variation I in the foreground.

I wrote about Shapeshifters, at Cranbrook Museum of Art for the Detroit Art Review; an encyclopedic tour of the museum’s collection that includes both the work of international art stars like Donald Judd and Joan Mitchell, as well as the work of many young, up and coming artists working in the Detroit area. To read my review in its entirety, go to: Shapeshifters @ Cranbrook Museum of Art – Detroit Art Review

I also wrote about the new sculpture by Jaume Plensa, recently installed in front of the University of Michigan Museum of Art, as well as an interesting project inside the museum that combines curated artworks from the collection paired with classes as diverse as social work, art, architecture and public health, meant to broaden students’ experience both of the subject matter and of related art. For more: Jaume Plensa Sculpture @ UMMA – Detroit Art Review

I’m particularly pleased to have had the opportunity to write about Essay’d, a unique arts writing project in Detroit that aims to create a crowd-sourced body of writing about the city’s contemporary artists, one by one: Essay’d (newartexaminer.org)

And I wrote a few reviews of artists I like:

Sarah Rose Sharp @ UM Institute of the Humanities Gallery – Detroit Art Review

Blackbird & Paloma Negra (newartexaminer.org) (Sabrina Nelson at Gallery Camille)

Tom Livo @ Image Works – Detroit Art Review

Sorry to have been so neglectful of my little art blog–my new year’s resolution is to dutifully provide links to other work I’m writing on art for other publications in 2021!

Reflecting Pool at Wasserman Projects

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After the Deluge by Jason DeMarte, 2018, photo assemblage, pigmented ink print, 48″ x 72″

I wrote a review of this conceptually rigorous and visually appealing show for Detroit Art Review recently.  To read the full text, go here

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Show Me the Way to Go Home by Matthew Hansel, 2019, oil on flashe on linen, 44” x 76”

Witness Lab At UMMA

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Artist’s rendering of installation for Witness Lab, at University of Michigan Museum of Art, Feb 14- May 17. Photo courtesy UMMA

Ann Arbor’s Current magazine recently published my preview of the University of Michigan Museum of Fine Art’s winter/spring project Witness Lab, a collaboration between the museum and various segments of the Michigan legal community. The project  highlights the importance of storytelling in the courtroom as a space of performance, and the centrality of lawyers as agents of justice. Roman J. Witt artist-in-residence Courtney McClellan designed this extended series of events, films, performances and lectures around a full-sized courtroom replica, now installed in the museum’s Irving Stenn, Jr. Family Gallery. For a complete list of scheduled events and other information go here  

Becoming a Sculpture: Kylie Lockwood

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Kylie Lockwood, Becoming a sculpture, archival inkjet prints, single edition, 2019 Image courtesy of Simone DeSousa Gallery

I recently wrote a review of  Detroit artist Kylie Lockwood’s rough but exquisite porcelain figures at Simone DeSousa Gallery.  The artist “aims to reconcile the experience of living in a female body with the history of sculpture.”  To read the full review, go here