Tag Archives: Galerie Camille

Geometrix

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Untitled Series by James Benjamin Franklin

It’s that time of year–gray, dreary, damp and dark–when gallery hopping feels like a chore. But the art is out there and it must be seen, polar vortex notwithstanding. An encounter with Geometrix at Galerie Camille until February 24, can make the effort seem worthwhile, and might just get you through the worst of winter, 2018.

In their art practice,  Clark Goeman, Franklin Jonas and James Benjamin Franklin take the manipulation of geometry as a point of departure.  It’s hardly a new concept, but the work by these three results in remarkably divergent bodies of work and proves once again that a universe is possible within the limits of a simple premise.

Clark Goeman delivers a series of well crafted and carefully conceived objects in various media that suggest energy under pressure. Two large, aggressively corporate sculptures occupy the interior of Galerie Camille and vibrate with silent presence. The Death Star-like Black Matter is solid, monumental and threatening, while the more open and lyrical Icosahedron describes the same geometric shape in wood, minus the menace.

Goeman shows off his considerable skills in both clay manipulation and ceramic glazes with a series of fairly small, clenched objects that suggest projectiles.  These weaponized artworks look vaguely dangerous, like hand grenades or land mines, and their metallic-glazed surfaces reinforce the impression. They seem as if they could explode at any moment, projecting peril far out of proportion to their size. If I saw one lying unattended on a bus seat, I might consider calling Homeland Security.

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Experts Only (left) and Icosahedron (right) by Clark Goeman

“The perfection of geometry fascinates me,” says Franklin Jonas. That may well be, but it appears to me that the true fascination of this work lies in its manipulation of color and pattern within the bounds of the constructed shapes. In The Star Project, Jonas applies saturated hues that might be ripped from a Pantone Formula Color Guide in tightly rendered stripes that follow the contours of the five-pointed figures. Idiosyncratic, insistent, pugnaciously decorative color combinations move restlessly around, intersected and interrupted by flat white shapes that violate their  integrity, setting up a rhythmic counterpoint. With their buzzy optical vibration, The Star Project  suggests the visual equivalent of techno music.

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The Star Project (Detail) by Franklin Jonas

The Embryo Series projects  a more serene effect with its ovoid outer shapes repeated adroitly within each of the 4 artworks.   Jonas describes his color choices in The Embryo Series as referencing a “mathematical color algorithm.” He claims that “the information contained in each circle accurately predicts the color scheme of the other three.” Fortunately, it’s not necessary to understand this rather abstruse technical explanation to appreciate the visual charms of Jonas’s work.

James Benjamin Franklin  takes his geometry with a playful grain of salt. Ten fairly small, eccentric shapes rest on a gallery shelf,  leaning against the wall on their spindly legs. These lively, vaguely anthropomorphic  figures in flat, waxy crayon colors line up like a class of restless toddlers ready for an outing.  Franklin’s ingratiating  pictograms add an element of humor and sly charm while remaining inscrutable.  They are deceptively simple, childlike but knowing.   Two larger pieces round out Franklin’s installation. A large refrigerator-shaped slab of yellow (with a handle!) made me want to open it and search for treats inside.  To its right rests a red …thing, that might be a web or a window,  alternately barring the way or inviting us through.

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Untitled works by James Benjamin Franklin

If the gray of winter and the icy damp of Detroit’s streets is beginning to get to you and a trip to someplace warm isn’t in the cards, Galerie Camille and Geometrix offers an alternate destination.  A whiff of danger, a pop of color and some smart fun can help to pass the time, and pretty soon spring will be just around the corner. I hope.

For more information, visit galeriecamille.com

 

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Dog Days

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Dress for  Success by Michael Dykehouse at Gallery 117, Ann Arbor

It’s August and it’s hot.  I’m tired of thinking about politics…and art and politics. But it looks like it’s going to be at least 76 more days until the end of our collective season of discontent,  so I’m treating you and me to a staycation of  some fun art that’s available for your viewing pleasure in the Detroit metro area right now.

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European 2010 Tour Poster by Matt Milia

First up, there’s the  fizzy pop-up show Ultimate Stars in Gallery 117 at the Ann Arbor Art Center from now until September 3. Musician and photographer Doug Coombs and his talented friends have put together  this  eclectic  free-for-all: drawings, paintings, puppets,  posters, music.  It’s all playful, colorful  and occasionally silly (but in a good way).  Check out a wall full of tacked- up, un-framed doodly watercolors by Jim Cherewick or take a look at the funny/creepy black and white ink drawings of Chris Pottinger. And, if you want to hear catchy tunes by the musicians who performed at the opening go here.

Artists in Ultimate Stars are: Scott Allen
Misty Lyn Bergeron, Sarah Campbell, Jim Cherewick, Michael Dykehouse, Patrick Elkins, Greg McIntosh, Tadd Mullinix, Chris Pottinger, Fred Thomas.

Wasserman Projects, near Eastern Market in Detroit,  is hosting its Summer Selections right now in a portion of the gallery, while also working on their upcoming installation Cosmopolitan Chicken by Dutch artist Koen VanMechelen.  (Cosmopolitan Chicken, opening this fall, features–yes, you guessed it–chickens.) The Summer Selections paintings are smart and humorous and well worth a look while we wait for the poultry to make its appearance. Artists in Summer Selections are: Ken Aptekar, Peter Zimmerman, Jason Yates, Michael Scoggins, Emilio Perez, Kent Henricksen, Ed Fraga, Jose Vincench, Nancy Mitchnick, G. Bradley Rhodes-Aubrey, Josh Bolin, Koen Vanmechelen, Willy Verginer.

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Tyree Guyton Installation at Inner State Gallery

Just down the street from Wasserman Projects is Tyree Guyton’s current solo show, Face-ology, on view throughout the month of August at Inner State Gallery.  These appealing, simply composed pictures with their bright, flat house paint colors on recycled grounds have the rough urban feel of the Heidelberg Project but in a gallery-friendly format.

“Face-ology is a reflection of everything that is changing about Detroit; the face of the landscape, the face of the people and even my own face,” says Guyton. 

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And last but not least, you still have time (just barely) to see Intersection: Jef Bourgeau/ Matt Eaton at Galerie Camille.  Until August 27, these bright and sophisticated paintings and digital prints from two of Detroit’s best known independent curator artists are available to soothe your sore eyes.