Tag Archives: cut paper

Beyond Words at WSG Gallery

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Midsummer, a collaboration by Barbara Brown and Howard White

Despite its prosaic title, Book+Paper Arts  packs plenty of charm and  interest into a tiny gem of an art exhibit on view from now to July 30 at WSG Gallery in Ann Arbor. The art books and some additional paper-based art works represented  are approachable, interactive, playful. Travel and globalization, the book as historical artifact and its position in relation to new media, and  the components and ordering of meaning within an artwork are just a few of the themes addressed.  The participating  artists are clearly in an ongoing creative dialog through “book shaped objects” in various configurations, each type with its conceptual strengths and limitations.

This is the seventh in a biennial gallery exhibit series, Beyond Words, curated by Barbara Brown, noted book artist and lecturer in book arts at the University of Michigan Penny W. Stamps School of Art and Design.   She describes her  curatorial aims for this particularly varied selection of paper based artworks:

In previous show statements, I have put forth the assertion that the term ‘artist’s book’ often triggers much discussion, even bickering and irresolution amongst book artists, and the point has sometimes been made that at the very instant one uses that term, one must then be ready to define it and to defend the definition! There will probably never be a determination that everyone agrees on, but I like ‘book inspired art’ (or even BSO – book shaped object), and for me, that is a good beginning”.

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Memorial to Thylacines by Ted Ramsey

Travel, through time, through space,  is a recurring theme throughout this exhibit. The molded paper mini-installation entitled  Memorial to Thylacines and Our Slaughtered Michigan Wolves by Ted Ramsey describes his trip to Tasmania during which he encounters memories of  the  extinct Tasmanian Tiger, a species of carnivorous marsupial.

Norma Penchansky-Glasser, inspired  by a trip to Idaho, has created a varied and beautifully hand-crafted suite of books. A particular favorite of mine was Boise Aquarium, a tunnel book that features tiny silver fish swimming within a paper proscenium. (The tunnel book  was new to me, and several artists created these for the exhibit. This form had its origin in the 18th century as an easily portable souvenir for tourists.)

paper norma lo res

Jack O. Summer’s Mapaloopsa,  in which he meticulously re-configures various maps into an invented  world atlas, humorously illustrates globalization and mass migration.  In one map, Dearborn meets Quebec, which has sidled up against Burma. We are sharing a smaller and smaller planet with new neighbors who make strange bedfellows.

The block book form receives special attention from several artists in this exhibition. These collections of wooden blocks lend themselves to the exploration of multi-sided meaning and the ordering and reordering activity it allows. In Blocks of Time by Ruth Bardenstein,  each constituent block side  contains ancient alphabets or astronomical images or clock components.   Alvey Jones’s  Encrypted Alphabet addresses the written word and constructed  meaning. One side of each block has a picture inscribed with  a written word that bears no obvious relation to the accompanying picture, leaving the viewer to puzzle out the implied relationship.

Books with digital components make an appearance here too, with Barbara Brown and Howard White’s Midsummer, a tunnel book with video.  The most conceptually complex artwork in the exhibit, to my mind, is  Algorhithms by Ian McLellen Davis and Meghan Leigh Forbes. This is a collection of pamphlet musical exercise books which can be played in any order with an accompanying “music box” of recorded fragments which can be activated by the listener (who then becomes the “player”). Added to all this are some  beautifully produced pamphlet books containing bits of Roland Barthes’ intriguing thoughts on music available for the taking (I took one).

I spent quite a bit of time in Book+Paper Arts without ever feeling I  had completely grasped all the formal and thematic intricacies of the exhibited works.  I only wish that more space within the gallery had been  devoted to the exhibit. I realize that in a commercial gallery space is money, but these pieces deserved more room than they got.  A few more inches around each piece (or even an additional wall) would have contributed a lot to my enjoyment of this museum-quality small show.

Artists in this show include: Ruth Bardenstein, Barbara Brown, Meghan Forbes, Alvey Jones, Ian McLellan Davis, Norma Penchansky-Glasser, Susan Skarsgard, Jack O. Summers, Ted Ramsay, Howard White.

For more information about WSG Gallery go here

 

Pictured clockwise from top: Encrypted  Alphabet by Alvey Jones, Alphabet Pop-Up by Susan Skarsgard, Blocks of Time by Ruth Bardenstein, Idaho by Norma Penchansky Glasser, Mapaloopsa by Jack O. Summers

 

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Julie Friedman at FAVA Gallery in Oberlin, OH

Like a Fish Out of Water

(Image: Like a Fish Out of Water, Julie Friedman)

Nature Revealed: The Paper Cuts of Julie Friedman
Opening reception with the artist on Sunday, September 27, 2015,  
2:00 – 4:00 p.m.

The exhibition will be held in the gallery at Firelands Association for the Visual Arts, an arts advocacy and education organization located at 39 South Main Street, Oberlin, Ohio 44074. Gallery hours: Tu-Sa 11-5, Su 1-5. Phone: (440) 774-7158.

Exhibition runs from September 27 – November 8, 2015

Gardening and living close to nature, since moving to Medina County 24 years ago, has slowly influenced Friedman’s artwork. She is  drawn to the relationship between the natural world and the man made environment. The themes she investigates relate to the beauty and the power or dominance of nature. Additional touches of magic realism or uncertainty and a mixed up evolutionary process (fish flying, out of scale insects, birds, pets) create a sense of surreality or dreamy make-believe.

The artist finds the  physical cutting out of the negative shapes a magical and satisfying act. The abstract shapes  fall to the ground to be swept away and reveal the silhouetted image. The shadows created by light illuminating the cutout produce another stratum to the art on walls and floor surrounding and drawing in the viewer.

About the artist:

Julie Friedman studied with book artist Walter Hamady while working on an M.F.A. from the University of Wisconsin – Madison. She has a B.A. in Interior Design and B.F.A. in Printmaking from Kent State University. She works in multiple media (cut paper, drawing, printmaking, artist books). She is an adjunct professor at Kent State, John Carroll University and Cuyahoga Community College and is also director of Gallery West at Cuyahoga Community College. Friedman exhibits her artwork regionally and across the country. She has received an Individual Artist Fellowship Grant and a 3-month summer residency at the Fine Arts Work Center in Provincetown, MA through the generosity of the Ohio Arts Council.

www.juliefriedmanart.net

http://www.favagallery.org